Artisti on ehtinyt julkaista vain yhden musavideon, jonka voi tarkastaa alta: Potentiaalia on niin maan perkuleesti! Ei paha. Musiikissa on valtava voima. Until We Collapse soitanta on brutaalia metallicorea. Perjantaina Tanssi tai kuole! Klubien levymusiikista vastaavat mm. Karina soittaa suomi-poppia, jossa orkestraation harkittu minimalismi nostaa laulujen sanoman framille. Modernia, mutta ajatonta.
Karina vangitsee. Kannattaa siis suunnata Looseen! Toinen yhtye Neat Neat, on nelihenkinen vaihtoehto-rockia soittava yhtye. Loosessa Laura esiintyy intiimisti triokokoonpanolla. Nyt on oikeasti lupa odottaa suuria! Andreas Moe valmistautuu parhaillaan lokakuussa julkaistavan debyyttialbuminsa ilmestymiseen. Tsekkaa alta! He ovat ammatiltaan opettajia. Suomen Musiikin muita artisteja ovat mm. Jukka Poika, Egotrippi ja Pepe Willberg. He julkaisevat piakkoin uutta musiikkiaan. UNI on suomenkielinen rock yhtye, jonka puhutteleva musiikki on laajaa ja kantaaottavaa.
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Musiikissa on vaikutteita mm. Tulkaa siis tonteille! Its people and landscape make me feel more at home and at the same time invigorated than any other place in that I've travelled to. I promised my fans about 4 years ago that I would always come back when I was in Europe and that I'd always make your country a priority. I intend to keep that promise for as long as I can. I love Finland. Vuonna perustetun Johnny B. Their insanity is contagious. You just want to sing their songs. Even the most inveterate snobs cannot help but crack a smile.
It's party time! Sadokist on soittanut raakaa black metalliaan vuodesta Se puhukoon puolestaan. Bileet siis. First of Us on moderni rock-yhtye joka ei kaihda ottaa vaikutteita musiikin eri tyylilajeista tuodakseen uutta tuulta rock-sceneen. Biisit vaihtelevat melankolisista lauluista riehakkaaseen rokkiin.
Aika-ajokysymykset tuttuun tapaan kello , varsinainen visa kello Ohjelma on tietysti sen mukainen! Pianomies on artisti ja tuottaja. Musikaalinen syvyyssukeltaja. Loost Koos -sotilas. Pianomies on tuottanut ja nauhottanut mm. Punaisena lankana on kuitenkin PUNK. Tule ja tanssi itsesi tainnoksiin.
Koukkuja, korvamatoja. Niko Riippa Flying Circus on uutta luovaa roots-musiikkia Pohjanmaalta. Vellamo julkaisi kolmannen studioalbuminsa 6. Bottoms Up is a duo from Finland. With the help of a fretted and a fretless bass combined with a lot of effects they create trance inducting soundscapes that gives rise to deep introspection.
Blues Messiahs feat. Kitara ja rummut. Luomu ja melkein live. On aika vuoden viimeinen Wizard of Loose -musavisan. Illan polttavin kysymys lienee "Kuka ottaa ja voittaa koko syyskauden potin? Stadin groovaavin Dj-pari, jonka kemiat sykkii levylautaselta kuulijoiden korviin. Se julkaistaan Kaikki trilogian osat julkaistaan vain digitaalisesti.
Yhtye on nyt ottamassa uransa suurinta askelta kohti uutta ilmaisumuotoa. Yhtyeen energia ja ainutlaatuisuus kutsuu kuulijaa modernin retro-rockin maailmaan. Bar Loosessa. Tulista tilutusta ja riffitulitusta tiedossa. Hammond ja Lesley raikaa. Islannin vaihtoehtorock-ylpeyden Agent Frescon Tavastialle Alternative-orkesteri esiintyy ensi kertaa Suomessa! Oivaltavia sovituksia lipsumatta kikkailun puolelle. Adi L Haslan odotettu Mun Habiturientti -debyyttisooloalbumi julkaistiin elokuussa Aktiivisen ja superlahjakkaan tulokkaan nousukiito johtikin levytyssopimukseen Monsp Recordsin kanssa.
Tsekkaa alta HYI remix ft. Painaako vatsanpohjassa kinkku, tofu tai rosolli? Kuukauden viimeinen keskiviikko on Tauon paikka. Party is about to begin! Joose Keskitalo. On aika juhlia! Nimikkoalbumi ilmestyi vuonna Yhtyeen toinen hengentuote on rock-ooppera The Return of the Clown. Eli 5. Ei paha! It can be the Clash, M. We play only the best dancefloor killers, no fillers. Since and still going strong! Musiikin ilosanomaa katajaiselle kansalle! Evelinan ura sai alkunsa vuoden loppupuolella, jolloin tuottaja MGI:n johtama M-Eazy Music sai puskaradion kautta kuulla lahjakkaasta ja vasta vuotiaasta artistista.
Bar Loosen lauteille nousee kolme kowaa rock'n roll aktia: Stadin omat turboahdetut hard-rockarit Carson Inc. Eli raahaudus paikalle, tuo kaveris, tuo vaik mutsis! Soittoajat: ovet Carson Inc. Anna Inginmaan aistikas laulu soi raikkaana ja pakottomana. Moonshine julkaisi viime vuonna debyytti-EP:n, jota voi kuunnella osoitteessa yhtyeen BandCampista! Blue Eyed Sons -yhtyeen musiikissa voi kuulla vaikutteita ja 70 lukujen bluesista, hard rockista ja psykedeliasta. Tervetuloa aistimaan jamien taikaa! Nykyisin klubi toimii Bar Loosessa sunnuntaisin. Kokoonpanot vaihtelevat illan aikana, ja spontaanisti syntyy ainutlaatuisia, mieleenpainuvia musiikillisia tuokioita!
Ja folkkia. Israelin Katuvalot soittaa kuolleen miehen lauluja. Kehuvien arvosteluiden mukaan lopputulos on ajatonta musiikkia, jota ei aiemmin ole soitettu Suomessa. Atte ja Emil vastaavat taidokkaasta soittamisesta ja Reeta laulaa niin kovin kauniisti. Intohimolla ja kauniisti! Youngheartedin biisit ovat kivunneet Spotifyn listoille mm. Every day takes care of itself and has just enough problems and solutions for it.
Instead, rejoice always and possess peace which transcends all understanding in your everyday life. Nyt loppuu tipaton, on aika Naulaamon! Hopihopi hophop kohti Naulaamon legendaarisia jameja! Karavaanin kulku alkaa 4. Brawl Between Enemies Saksa - Heavy hardcore. These days are ours Happy and free. Oh Happy Days These days are ours Share them with me. Oh baby. The band reaches out to listeners of all ages with its captivating melodies. This music seems to really enchant its audience and has a strong crossover appeal on it.
Massive choruses, killer arrangements and energetic stage appearance are the brand of Free Spirit. Ja suomeksi: Free Spirit soittaa ajatonta rockia stadionsoundilla! Parasta lauantai-musaa! Niin on koittanut aika kilpailuista uljaimman, kun Wizard of Loose palaa talvitauoltaan 7. Naulaamo-illan alkuun klo 20 saamme nauttia puolen tunnin setin perulaisen kitarataituri Rolando Carrasco Segovia musiikista! Yhtye on keikkaillut pitkin Suomea aina Rovaniemelle asti. Tiedossa ruokaa, juomaa ja ennen kaikkea loistavaa live-musaa!
Tickets from Tiketti buffet pre-sale ends 3pm at Tiketti! Loppujen lopuksihan on kyse hauskan pidosta vailla vertaa. Sunnuntaina Esileikit hoitaa ammattimaisesti DJ P. Aholainen Jokaisen musiikillinen tausta on jazzissa. Kohotetaan maljat Bowien muistolle: Kulttiklassikko Velvet Goldmine heijastetaan Loosen screenille Tule varaamaan sohvapaikat, pop corn on da house! Black Radiance is an alternative band from Saint-Petersburg, Russia, that was formed in december Their music is a powerful combination of nu-metal, hardcore and screamo genres.
During the first year of activity Black Radiance has played a lot of shows in their hometown and visited Moscow with Emergenza Festival Showcase. Today Black Radiance is working on recording studio and preparing their first EP-album, which will be released in spring-summer The members of the band are from different parts of the world. The drummer Pavel arrived from Kazakhstan, the bassist Nikolay is from Belarus and the others are from the opposite ends of Russia.
MIRO tries to bring the light and at their concerts to achieve a supernatural atmosphere, from which people would change and get filled with positive emotions and love to others. At the moment the band is working at their next single and first album and is preparing to enter the world stage!
The history of Sacrament starts in and since the beginning the band declared itself to be one of the best bands of St. Petersburg in a gothic-metal genre. Young, dynamic artists from Saint-Petersburg representing the new wave of Russian rock music. The band performs music, which is written and composed by the group and can be described as atmospheric guitar pop-rock new formation.
The Maya Secret is a popular group which is winning hearts of emotional instrumental music lovers in Saint Petersburg. The band performs their compositions in English with elements of trip-hop, indie rock, dream pop and neoclassicism. While creating their compositions, the musicians use the piano, the cello, vigorous rhythm section together with good vocals. The band creates a mysterious and wraparound atmosphere at their concerts. Club performances are always accompanied by visual and lighting special effects which greatly complement the impressions of the performance.
The Maya Secret won the silver medal at the festival Emergenza Russia. Yleistekstuuri rakennetaan synkkien varjojen ja kylmien laservalojen kajoon. Yhtyeen popisti koukuttava darkwave tanssittaa haikeasti. Rain Diary musiikissa soi urbaani talvi: pimeys, neonvalot ja sulanut lumi. Tiistaina Talvea punkilla turpaan ja joraamaan! The Duplo! Lepakko-luolan homeisissa kellareissa alkunsa saanut The Duplo! Energiatasot korkeuksiin ja nupit kaakkoon! Riot ROCK! Tapahtumapaikka on kotoisa Bar Loose! Kaikki paikalle juhlistamaan maaliskuun alkua!
Tukijoitamme ovat Svart, Like, Rumba ja Soliti. Tsekkaa hienon hieno Desperate Days -musavideo! Oh my my! We gonna Jump, Jive and Twist all night! Short fat fannie is on the loose, so come shake a tail feather and don't forget your dancing shoes! Miljoonat katselu- ja kuuntelukerrat puhuvat puolestaan.
Illan avaa Monspin tuorein kiinnitys Ode, jolle voi povata kirkasta tulevaisuutta! Tsekkaa 4. Pahoittelut mahdollisesta sekaannuksesta! Tuleppa siis tanhuamaan ja tasaamaan paineita. Kolmosilta toden sanoo! Kirjailijat Janne Kuusi ja Mika Pekkola keskustelevat kirjoistaan. Toisin sanoen silkkaa rautaa! Illan avaa hitaa We chose a Renaissance interior which did justice to the house and created harmony. When I think of you I think of the perfect white shirt.
What is about your shirts that make them so covetable and why are they such an object of obsession? I have about a hundred white shirts in my wardrobe. On the one hand, the periodical revision of the outlines of the white shirt is a study in shape, workmanship and quality. On the other hand, these revisions are echoes of a changing zeitgeist. You have to refresh a classic like the white shirt all the time. Why is research and development into yarn and fabric so important?
The shape and overall look of a piece of clothing is, to a great extent, a function of the fabric. I was interested in materials which lend themselves to a sculptural use. It helps if a fabric has character, a surprising lightness or even a distinct weight. If you want to create new shapes, to start with the material is a great way to get inspired. Why is construction so integral to a Jil Sander garment? If you want to avoid clothes that just cling to the body, you need sartorial construction. This includes the development of patterns, innovative inlay and fine-tuning through repeated fitting.
The result will be an autonomous shape that moves in dynamic harmony with the body. You once said you had a marriage of aesthetics with your architect Michael Gabellini. How do you choose them and what is the collaborative process like? I like to collaborate with people whose creative work I find interesting. The collaboration itself is a process. You need to find a common language. The last time I saw you we spoke about your garden in the north of Germany; your exhibition covers aesthetics, material and form of fashion and product design, architecture and garden art. Tell me about working with Penelope Hobhouse on that.
I was inspired by the famous Sissinghurst rose gardens. Our garden project encompassed the design of the surrounding landscape.
It is an attempt to bridge the concept of the protected Renaissance theme garden and the English idea of a democratic landscape. Sie zeigte sich dann kurz den Fotografen, und weg war sie schon wieder. Ihr Ding war das nie. Am Donnerstagvormittag aber erinnert ihr Auftritt trotzdem an damals. Dunkelblauer Strickpullover, dunkle Hose, so wie damals, wie immer. Sie schaut kurz in die Kameras, streckt die Arme hoch. Und weg ist sie wieder. Es ist der typische, scheue Jil-Sander-Auftritt. Nur, hier geht es um mehr als damals nach ihren Schauen. Aber Mode im Museum, das war zugleich lange Zeit ein schwieriger Fall.
Vor anderthalb Jahren habe man sich dann zum ersten Mal getroffen. Alles ist stimmig — und stark, selbst an den leblosen Puppen. Es war der Beginn ihres eigenen kreativen Schaffens. Damals war sie Allerdings kam sie ein zweites Mal wieder, ging kurz darauf. Ganz zu schweigen von der Marke Jil Sander, von der auch jetzt, unter den neuen Kreativdirektoren Lucie und Luke Meier, nicht klar ist, an wen sie sich genau richtet. Lieber setzte sie die Kundin an erste Stelle. Schuhe und Taschen sind auch hier so exakt stimmig, als handele es sich um einen Showroom.
Der beeindruckende Film in der Ausstellung zeigt es. Die Kraft der Natur hat gegen sie keine Chance, das Gartenkonzept steht bis heute. Et puis si. Une tension est perceptible. Il faut sans cesse avancer, se projeter dans la saison suivante, dit-elle. Le travail avait pris une grande place dans ma vie. Le Figaro. Jil Sander. Pouvez-vous nous en dire un peu plus sur cette installation? Hello Kitty hairbrushes, dollies, My Little Ponies and seaside trinkets sat in the hair like hoards of goodies inside a birds nest. The childlike Harajuku aesthetic was Kawakubo engaging with the most Japanese of exports.
Postmodern and street style influenced, the seemingly silly and inconsequential were as artful and low brow as graffiti. With faces and features made up of fruit and vegetables, this was surrealism years before surrealism. As the following looks exited, each look was printed with the art of another artist. However, by the time Lisa Stansfield came on, I was personally all for the beauty of the low-brow. Pannier dresses and Tudor shapes accessorised with sky high Renaissance wigs saw hair almost turned upside down.
From the front, the dresses looked 3D voluminous. From the back, some of them were simple shifts with 2D panniers stuck to the sides. Harajuku trinkets also hung from the shoulder line of one PVC red dress that popped so bright, our cameras could barely capture it. As the models lined up at the end, in their bulbous near folkloric get up, they resembled a set of Russian dolls. The Russian Embassy may be architecturally brutalist but inside this room on a Saturday in October it was as decorative as they come. Instead, it runs the gamut from breathtakingly beautiful to borderline violent, at times in a single collection, and that says quite something about both the technical skills and emotional power behind it.
That is nowhere more clear than in the bright, white, Paris showroom where, after the initial impact of the runway presentation, all three collections may be seen up close. It is well known now that this designer no longer shows clothing in the conventional understanding of the word on the catwalk but chooses rather to present huge, sculptural pieces — there were fifteen of them in total this time — in exploded silhouettes that positively dwarf their wearer and that speak volumes no pun intended , season, after season, after season.
Drawing on the work of 12 different artists, from Giuseppe Arcimboldo who, in the 18th century, artfully painted faces out of still lives of vegetables and fruit, to the pixel landscapes of Berlin-based eBoy and the dewy-eyed girls with flowers in their hair that Macoto Takahashi is known for: they gazed almost hypnotically from garments. Huge tangled clusters of these also hung around necks.
Memento mori to lost innocence? On the surface there was joy for sure but angel wings on the back of one of two white looks and menacing ravens printed across another carried an undertone of melancholy. Another elaborately pieced and patched tulle design spoke of nothing if not a life in clothes.
There are only very few designers in history able to make their audience smile and cry in the space of no more than around 15 minutes. Rei Kawakubo is one such. A Prada show is an object lesson in context. Everything — from the set to the drinks she serves — amplifies and clarifies the message of the collection. Obviously, music has always played a big part, maybe now more than ever. In those days, Prada was a company whose clothes dazzlingly defied conventional notions of taste and propriety. But in her last few collections, there has been a pervasive sense of Miuccia Prada kicking against the pricks.
Man tailoring was matched to fabulous graphic knits. Almost everything was veiled in a sheer overlay, which sometimes looked pure, and other times prurient. Footwear flat and functional. Heads bound. Bodies primed for action. What is new now is that Miuccia is fired up by the state of the world. Back to that soundtrack: rough, tough, shreddingly dismissive of male crap.
Not quite clothes to match just yet. But wait. For SS18, Rei Kawakubo enlisted the work of nine artists from the 16th century to today to illustrate the sculptural looks. As if you needed it. Also, appropriately I think I spotted Gosha Rubchinskiy pre-show, not far from a giant unfurled Russian flag. The white runway was raised in a zig-zag across the room, and models stepped out and walked its length one at a time. The florals were courtesy of Dutch artist Abraham Mignon and as for the giant anime-looking girl with glinting eyes?
The work of Japanese-born Macoto Takahashi. They came in colour combinations of blue and white, green and white, and, naturally, black.
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There was something about the combination of the childlike, girlish accessories with the heart-wrenching music that was extremely affecting — beyond the graffiti byline, it felt like Kawakubo was addressing very human ideas of childhood innocence, lost youth and the passage of time. Hundreds of thousands of visitors begged to differ. She kept the raised catwalk from last time, so everyone got a good look. And she offered a collection which could hardly disappoint any of the vast audience who got acquainted with her work through the exhibition in New York.
It was essential Comme in its defiance of fashion orthodoxy. The proportions challenged conventional notions of utility. Sleeves fell to the floor, hips were wider than any door. Or might it even be a wedding dress? They were filled with the detritus of Japanese kawaii culture, the cuteness that bequeathed us Hello Kitty. She was there, in the nest, along with dozens of girlish trinkets and plastic doodads. With dates upcoming in all four corners of the globe, Eelke is bringing his music truly worldwide to hoards of smiling faces with hands in the air.
Creating records that strike a chord with music fans from all walks of life is what Eelke does best. With the melody set years back, he developed and honed the production around it, waiting for the perfect moment to drop it to the world. Dance music sometimes takes itself too seriously. Eelke Kleijn constantly has his sights set on the biggest of endeavors. Whether it is own productions, Hollywood royalties or remixing the likes of Arcade Fire there is nothing his Midas touch cannot handle.
A producer, a DJ, a cinematic synchronizer but most importantly a modern day composer, Eelke Kleijn is a rare breed of music maker, and the world has only scratched the service of his talents. Eric Prydz is on a roll at the moment, without doubt leading the way. Eric is now in charge of three highly respected labels whose releases are in feverish demand, consistently selling huge quantities of vinyl which is truly incredible in the markets current climate. The labels are arguably proving to be the most successful and forward thinking imprints currently existing.
Each label was strictly developed to give Eric a platform to release his own productions without outside interference, simply his music on his terms. It was important for Eric to step back after his previous successes and release music without schedules and pressure. Releases on his more hard-edged Mouseville Records under the pseudonym Cirez D have been tough and powerful a throw back to the underground techno roots his native Sweden has become so famous for.
The more melodic based Pryda imprint showcases his early house influences with harmonies, melodies and hooks fused with his trademark powerful basslines. Eric has proven to be an artist that can actually fuse commercial success with underground success, something previously impossible to achieve and sustain. It was always the enjoyment of working with music that kept Eric coming back for more. He jacked his job in, hooked up with two friends who had a small studio set up making more pop based material and lived the next two years virtually penniless — working on his own hard-hitting, techno-funk tracks and DJing locally when gigs came up.
Having made a bunch of new material solely on a Roland MC Groovebox he gave a cassette to a friend who ran a clothing store in Stockholm. As an in demand producer the remix offers were flying in. Then things went a bit crazy. With is debut album and new single set to drop, the worlds of techno and house are in safe hands. On his debut album he collaborated with Puff Daddy and Boy George alike. Dance music has been received really well, not only by people in clubs but also in the American mainstream.
The pendulum has swung back. For over a decade now, Erick has remained one of the most in-demand and instantly recognisable DJs in the world. Raised in Colombia, then New Jersey, Erick was weaned on a musical diet of Latin rhythms, reggae and hip-hop. He started DJing at the age of 11 and after securing himself DJ sets at several local gigs decided to take a studio engineering course at the local Centre of Media Arts. Indeed, last summer the duo DJd together at Pacha Ibiza for the first time in a decade. In , after spending almost a year of meticulously planning everything from logos to packaging, Morillo took it that one step further and launched Subliminal Records with his production partners Harry Romero and Jose Nunez.
Next up is his long-awaited second album. I cannot wait to get this music out there. It seems like is already shaping up to look like another explosive year for the bad boy of dance. A prime house-pop group and consistent club act, Faithless is at its core a duo of producers Rollo and Sister Bliss.
Sister Bliss, a piano and violin prodigy from the age of five, converted to acid house in , and quickly became one of the U. Though the two had begun producing together as early as , Faithless became a stable quartet two years later with the addition of vocalists Jamie Catto previously in the Big Truth Band and Maxi Jazz from the Soul Food Cafe Band. Sunday 8pm followed in , and was reissued in with a collection of remixes titled Saturday 3am.
A comedown mix album, Back to Mine, appeared in early , just before Faithless returned with Outrospective. The Dance saw Faithless make a comeback in , but even with a high profile show at that years Glastonbury Festival, the album would become their last. In , Maxi Jazz announced via their website that the band would come to an end. Enjoying artistic freedom afforded only an elite few, Fedde Le Grand is a masterful pioneer of electronica, considered by countless fans and artists as one of the single most defining figures in house music.
Not only indulging in his own perfectionist musical tendencies, Fedde also nurtures new talent through his Flamingo imprint, using his years of hard-earned experience to push them towards superstardom. Outside of the studio and around the globe hundreds of thousands have witnessed show-stopping live sets that explode with ingenuity and originality.
In Fedde announced the expansion of his critically-acclaimed Dark Light Sessions radio show from its birthplace in the US on broadcasting behemoth SiriusXM to stations across the planet, with countries as far spread as Brazil, Australia, Germany, New Zealand, Poland, Romania, Russia and more now receiving his blistering 60 minute mix on a weekly basis, earning the Dutchman an increasing hold on major dance music markets around the world.
His dedication to music and his unwavering passion for the dancefloor continue to make him an intrinsic and dominant part of the ever-evolving electronic scene. A touchstone, an inspiration and a pioneer; he is definitive, he is essential, he is house music at its finest. He is Fedde Le Grand. Along the way, Felix gained mainstream press acceptance and was heralded by Entertainment Weekly, Rolling Stone and Spin as one of the most creative artists in music today.
To accomplish this Felix took a new approach. I play keyboards because I really wanted to get a live feel for this record. Talking about some of the cast of characters he enlisted for the album, Felix relates how each had an effect on the superego of the album. The tracks on Devin Dazzle fluctuate between an upbeat spiritual side versus the temptations of the excess of nightlife under neon lights — partying and sex.
The Neon Fever formerly known as Glamarama represents the latter. She was willing to listen and work to improve with me. By 14 he too was recording house music on his four-track. After graduation he enrolled at Alabama State and began making hip-hop. Felix scored an album deal with Deep Distraxion in and dropped By Dawns Early Lite, one of the first full-length dance music artist albums ever.
In , Felix released the import-only I Know Electrikboy by Thee Maddkat Courtship, an album that despite its limited release, earned Felix reams of fawning press. Post-Kittenz, Felix has become one of the most sought after remixers and producers on the planet reinterpreting songs by everyone from the Pet Shop Boys to Kylie Minogue to Nina Simone.
Dirty melancholic house music is the produce of much musical soul searching for emerging Norwegian star Finnebassen. Leaving his teenage genre hopping days behind him, saw a house music epiphany, as a deep rooted interest in electronic music began, bringing Finnebassen to the sound he relays today. Although he has been producing music and playing gigs in his hometown of Oslo for a long time, has finally seen the first attacks of Finnebassen on the worldwide electronic music scene, in both performance and production.
The guitar you hear in many Finnebassen tracks is Finn himself playing: a note to his true understanding of music. Respecting the work of his peers, he lists artists such Maceo Plex, Solomun, Art Department and all of the major players in house music of today as his influences. But, it is his own version of silky smooth house by which he intends to impress. As well as regularly playing at massive Oslo night spots Jaeger and The Villa, Finnebassen also has regular gigs worldwide, with recent visits to Berlin, Greece and many appearances around the UK. There is also, excitingly, a planned tour of Brazil in November.
Milan duo Danny and Alessandro combine an incredible work ethic, easy going personality and creative talent in equal measure. The rich mix of these three corner stones is Flashmob and the results speak for themselves. Having originally scored modern anthems Need In Me and Brick House for heavyweight labels Defected and Get Physical and felt full support from both the house and techno community, Flashmob continue to strive to deliver the perfect fusion of underground beats with crossover hooks that satisfy both the Saturday night crowd and Sunday morning community.
This unique combination has won them fans worldwide and each week Flashmob take to the skies to perform at amazing events at every country where serious sounds are enjoyed. Every week a new connection is made and Flashmob work tirelessly to try and make the most of every opportunity from their favourite labels. Francesco has always been a talented producer with a huge musical knowledge. This hard work has brought him to launch his own record label, Rouge Purple, and radio show, Respect DJs. As a DJ, Francesco began his career in Tuscany.
Francesco has an energetic, charismatic presence behind the decks creating a direct connection with everyone on the dance floor. Despite his international success, Francesco is the same compassionate man, still as devoted to music as when he received his first pair of decks and a mixer at the age of With a career spanning 2 decades and an entire generation, George Morel never fails to leave an impression while playing his style of Deep House, Minimal-Tech and Tech-House music.
His consistency has earned his bona fides among deejays and fans in electronic dance music scene. Guy Gerber has always been comfortable as an outsider. Before he was fiddling with drum machines and synths, Gerber was all about groups like Joy Division and My Bloody Valentine. These influences still echo clearly in his music today, especially in his use of harmony, contemplative moods and trippy, shoegaze- inspired sounds.
All the while, he was building Supplement Facts from the ground up, showcasing his own productions alongside those by likeminded artists, and illustrating each record sleeve by hand, so each release embodied his distinct creative panache. Supplement Facts is more adventurous than ever, melding organic with electronic sounds. Israeli producer Guy J has established himself as one of the most sophisticated and emotive producers in electronic music of the last decade, with a body of work and a sphere of influence that belies relatively short time in the spotlight.
Whether it be his sensual, hypnotic take on house music, his deeply textured techno or his wondrous ambient material, his work is always touched with a magic and emotion that few rival. From its own Love Parade to major clubs and radio shows, the country has long been a bastion for underground electronic culture. John Digweed snapped up the glistening, dramatic slice of deeper house music up for his legendary Bedrock Records, setting in motion a chain of events that would change his life forever.
I never knew it would lead me to having two albums on a label that I really grew up with. Its sublime Depeche Mode-esque synth work pointed to a talent that surprised considering his short time releasing records, and his ascent from hereon was steady and rapid. His debut album Esperanza gained plaudits in with its classy, ethereal blend of progressive house, techno, electro and electronica, while the follow-up Words went deeper still over two discs of expansive soundscapes and intricate dancefloor explorations.
But to make an artist album is a way for me to deliver pure music. To feature on two labels that are essentially synonymous with two very different scenes is testament to his versatility, and above all, the quality and conviction of his productions. One such crew is based proudly in Hamburg; goes by the name of Diynamic and owes a large part of its success to German born Holger Behn aka H.
First and foremost, H. Ask any of the people who have been lost in one of his residencies at the likes of Watergate in Berlin, Studio 80 in Amsterdam or Ego in Hamburg over the last few years, and they are unlikely to disagree. The usual biographical tales of teenage years being spent having music lessons do not apply here: H. Says H. The prolonged dance floor exposure H. One of the most iconic things about this festival has come to be H. Henry Saiz is the creator of a style that is a combination of his love for all things electronic with a deep passion for art.
His music, as well as his work as a sound designer for film and TV has always been marked as forward thinking in approach and groundbreaking upon delivery. Not a man to be content with such success, Henry whilst producing some of the biggest tracks around has also simultaneously been developing his live show.
Using a combination of Native software and hardware, an Akai APC, Access Virus TI and other equipment, Henry has complete control over his meticulously created and fully original edits, loops and tracks. Following on from the likes of Timo Maas, Joris Voorn, Will Saul and Agoria, Henrys addition to this world-renowned mix series has more than lived up to expectations and has set a new benchmark in depth and quality.
Whilst being a producer, DJ and live performer is paramount to Henry, another element close to his heart is finding and developing new talent. Henry started his own label, Natura Sonoris Nature Of Sound in and it has become a platform for not only his own productions but also for artists such as Damabiah, Cora Novoa, Sistema and Ryan Davis to name but a few. The focus of the label is to connect electronic music with art and life. This is reflected in all aspects of each release from the music itself down to the artwork, a formula that has been received extremely well and now has a big following worldwide.
Due for release in February on his own label Natura Sonoris, this ground-breaking concept album engages his fans in an exciting and never-before-done way, by asking them to send him recordings and samples that he will incorporate into tracks from his album. Be a part of his album today by visiting the site on your computer or smart phone.
Henry has now taken his DJ and Live shows around the globe. His constant growth has enabled him to spread his music to new audiences and is, without doubt, one of the bright new talents on the global electronic music scene. In the recent explosion of talent and DJs that the music industry has witnessed in the past few years, there are very few who can show the long-spanning career Hernan Cattaneo has cultivated throughout his over three decade span as an underground artist. Furthermore, there are few DJs can truly attest to the kind of dedication to a quality, underground sound that Hernan has uncompromisingly championed.
More than a performer, he has been a leader, taking the Argentinian house movement from a local collective to international prominence, and along with it exposing the world to some of the most now critically acclaimed sounds in progressive, house, and techno. It was at Clubland that he soon gained the respect, recognition, and friendship from the some of the most influential acts of the time, with nods from John Digweed, Sasha, and Paul Oakenfold to name a few. Moreover, it would in fact be his relationship with Paul that would lead to his invitation to join the legendary Perfecto Records.
This would in turn lead to performances at legendary venues and events such as Burning Man, Bedrock, Pacha, and Fabric. By the time his first international compilation on Perfecto was released, Hernan had already established himself as a staple artist of the international scene, with his DJ sets receiving widespread acclaim for their ability to express a unique, thought-provoking musical journey: a talent he continues to this day. Known for his love of all music, his dedication to his fans, and his commitment to consistently delivering quality, he has built a reputation for class and good showmanship that is often lacking in the modern music scene, and has proven himself one of the few artists who has proudly stood by his musical principles that he started with in the beginning of his career.
With a new Balance compilation forthcoming, an intense touring schedule at some of the biggest dance venues on the planet, and his Resident radio show which has garnered millions of plays over the years, it is fair to say Hernan Cattaneo remains one of the most active performers and producers in the scene today.
Uncompromising and driven by a relentless passion to deliver the best to those who appreciate him, Hernan will continue to be one of the defining forces in underground dance music for many years to come. Iban is characterized by its energy and technical cabin and the strength and freshness in his music selection. Label management, production, remixes…after fifteen years behind the decks, French electronic music pioneer-DJ keeps on forging ahead.
Richard Z. Kruspe
Fifteen years behind the decks and an obvious fact: Jack knows the dancefloor commandments inside out. He contributed creating them in France helping in the expansion of electronic music and also spreading the good word of French techno abroad. These last months allowed him to re-examine his practical artistic experience from every angle starting from his involvement on a global scene Paris and his residency at Rex, Europe but also China, Japan, Israel, black Africa, Lebanon, South America… to the fashion shows and his collaboration with Paco Rabanne or Jean Paul Gaultier.
From the character known by everyone to the one involved in every field of electronic music, the native of Marseilles made a beneficial reorientation. It was the beginning of a new cycle starting with records production, remixes, label management…Owing to Wicked, set up in , the artist gained a strong foothold in the record industry.
The same year, on this very label he released his first tracks Got To Believe and Bump. Jamie Jones and his label, Hot Creations, have been credited with creating an iconic sound that has paved the way for a warmer, more melodic, deeper side of techno to emerge. In less than a decade, he has catapulted himself to stardom by shattering genres and breaking out of the confines of minimal techno. He and his label, Hot Creations, have been credited with creating an iconic sound that has paved the way for a warmer, more melodic, deeper side of techno to emerge.
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He continues to be seen as a leader in his field and an innovator who will dictate the direction of a booming industry. Plays Punked up Garage House Beats. Not to be messed with, makes a nice cup of tea. Since then he has held a 4 year residency at Amnesia, 12 years at We-Love Space in Ibiza and 3 years as the mainroom dj for Home nightclub in Sydney and London.
Having found himself in Ibiza for a few summers he played a gig at Cafe Mambo and was subsequently asked by the owner to come back next year as the first full-time resident dj. A lucky break some might say but a break insightful enough to recognise a raw talent, as since Jason Bye has been a stand out dj on the dance music scene. Racking up residencies across the globe that reads like a Wikipedia of clubs including Amnesia, Manumission, Cream, Up ya Ronson, and of course We Love Sundays at Space where hes been playing every sunday for the last 12 years. Lots of Funked up Tribal Grooves, Pounding BassLines and some Slick Classic House Vocals are his calling cards and his unique style and ability to read the crowd keeps his dancefloor pumping long after everyone should have gone home.
Down to earth and approachable, his love of dance music shines through and as he says….. His interest of giving his own innovative style to house music has enable him to travel around the world Delivering talented innovative style and deep sound in his sessions. David Henrard born 13 April , also known by his stage name JD Davis and Dave Davis, is a Belgian musician and started his career in music at the age of 17 when he moved to Antwerp to work at Bonzai Records. DJ JEAN, a name who left his indelible traces in the contemporary national and international club scene.
Due to this international success, Jean has been spinning records at almost every place in the world! Over 20 countries at numerous festivals and at the most prominent and well known clubs! This high degree of flexibility in terms of locations, price and musicwise interpretation, makes sure his popularity is still that huge in his homeland, that means both with his own as with the latest generation of clubbers! For a whole lot of spectacular and interesting developments are on the role!
Besides that she most recently November topped the U. No need to mention that JEAN is very proud to announce this collab with such an iconic artist and one of his favourite vocalists worldwide! A native of Paris, Jef K started mixing records in after spending nine months in London. His deep, groovy and sexy house sets made him quickly earn a reputation as one of the fastest rising DJs amongst the French house scene.
He is reinventing and designing the sounds since the early years of EDM. Building, combining, releasing and holding on to a continuously sharp sound, fit for both timelessness and the current demands of the dancefloor society. But results are showing. One essential fact is missing though, how and when did Jerome get in touch with that thing called dance? A year after his first release, he teamed up with Marcel Krieg and gave birth to the Future Funk project, bringing a successful combination of house, disco, soul and funk.
Variety is the soul of pleasure, right? Otherwise it gets boring. Another example of the versatile producer that is Jerome, is his involvement with movie soundtracks and commercials. Projects for Audi, Marlboro and several other biggies, saw him opening up to the more commercial type of producing. We made the soundtrack for his first movie together.
The funny thing about this movie is that one of the leading role is about a music-producer who is banging many girls. And his name is Jerome, hehe. Has nothing to do with the real life. I just had to decline a job for a BMW advertisement. Over the past few years, aside from Future Funk and other projects, Jerome has been busy enough building his own catalogue of originals and remixes. I just make the original product more sporty, powerful and unique. It works pretty good if I find the time to release something on it.
The track is dedicated to the Ferrari Quartet, Jerome hands in an intense remake of pure progressive delight. The original production is made by Rollo, who is also the producer of Faithless. With plaudits coming through thick and fast, there was no time to put his feet up and enjoy the moment — filling up his record box with an arsenal of killer tracks, a new zeal and passport following this success, Jim embarked on a worldwide tour, taking him to clubs such as Pacha Buenos Aires, Zouk Singapore, Arma 17 Moscow, and AIR in Tokyo.
As a refreshing rebellion against the one-dimensional progressive blueprint that deluged from juvenile producers grasping at stardom, Jim stood out from the crowd; emerging as both a DJ and producer who could inject clubs with warm musicality and ramp up energy levels on the dance floor. Bursting with soul and character, Jim has also been called upon to remix tracks for Nic Fanciulli, Quivver and Steve Mac amongst many others.
Both will be released later on this year. Under this imprint Jim will unleash his twisted percussive and deeply coated releases. With over 20 years experience, Jimmy has worked tirelessly to spread his sound across America and beyond, and to create unique opportunities for other artists to do the same. Jimmy started DJing in the early nineties, honing his skills at the legendary house parties at his place in Orlando, Florida. These parties saw Jimmy playing alongside anyone and everyone from local friends showing up with a bag of records to the cream of the DJ talent passing through the city.
Another landmark came in , when Jimmy took to the road with Sasha and Digweed once more, this time for the Delta Heavy tour. Delta Heavy saw the three DJs play 32 gigs in 8 weeks, taking their sound to corners of the States that had previously been neglected by the electronic scene, and laying the foundations for the explosion in popularity that electronic music has witnessed in the States over the past decade. Never one to rest on his laurels, Jimmy has continued to be involved in the biggest and best events in the world, including welcoming in the new millennium with party-goers in Melbourne, and performing at the first Creamfields Russia in Moscow in and at Creamfields Buenos Aires in , which drew in an incredible crowd of As a DJ, Jimmy has reached even wider audiences through his compilation albums.
Five years later he released one of the high points of the hugely respected Balance series, a triple cd showcasing his range as a DJ, and still widely regarded as one of the finest mix compilations ever made. The past year has seen Jimmy take the knowledge and skills he acquired in Frankfurt to the very heart of the recent musical explosion in South America, Buenos Aires.
Living in Argentina has enabled Jimmy to bring something of his Delta Heavy concept to the country, letting him reach audiences in the smaller cities which, despite being all too often overlooked by big name DJs, are just as ready to party as their counterparts in better known destinations. Under a plethora of other monikers including Jakatta, Akabu, Doug Willis, Raven Maize, The Sunburst Band, Sessomatto, and Z Factor, Dave was one of the first artists to incorporate disco samples in house music when he began his production career in Indeed, he was in the studio making credible and outstanding British House music when many luminaries around him were still busy getting to grips with their decks.
Little has changed since then and Dave is still widely regarded as one of the most commercially successful and in-demand artists on the global scene. This experience and intimacy with other leading house labels led to the establishing his own imprint, Republic Records, in Republic also put out M. Dave Lee continues to release a single per month and draft in the highest quality remixers such as Dennis Ferrer, Henrik Schwarz, Ame and Jimpster.
He has also compiled a number of highly regarded soul and disco compilations on the Z Records label. His discography is undoubtedly impressive and his deep understanding as a selector of all things soulful and house on the dancefloor have ensured his status on the global DJ circuit worldwide to this day. The latest Soul of Disco compilation was widely regarded as the best so far. While at the beginning on September there were four Joey Negro Remixes in the Traxsource top 5 — surely a record.
This was actually the fourth number 1 on Traxsource for Joey Negro in ! Early in his career John moved from New York to Miami where he met partner Brian Tappert, in which they both started producing and remixing hits together. Djing since a teenager John knows how to work the crowd from the days of disco to the deep and techy soundz of today his sets got you covered. John is also known for his disco classcis mash ups edits he created himself and with clepto partner back in the day , of course they were all evidently jacked by bootleggers.
In recent years John has started 2 record labels first Reversoulmusic which began in and it is based on a more deep tech sound , but even more recent in Oct John started his new label called Blacklist which has a more high energy Disco feel to it. At the moment the Blacklist label is being highly received by all the djs around the globe.
With the success of massive dj support John monthly release schedule has been keeping him busy djing at all his favorite spots. Blacklist tracks can be bought currently at traxsource. Originally hailing from England but having clearly arrived on the global scene nearly a decade ago, John has long since cemented his name in the pages of dance music history. His list of achievements is groundbreaking to say the least.
The beauty of what he does lies in just how different he really is from his contemporaries. The label has effectively served as a foundation for artistic expression and a medium for creative output, allowing underground artists to break through to a much wider audience. To have a record released on Bedrock serves as the global stamp of production quality, ingenuity and integrity for producers worldwide.
In fact, the name John Digweed is synonymous with quality, ingenuity and integrity. Even with all of his global traveling he has still been able to hold down two monthly Bedrock residencies in both London Heaven and Brighton The Beach. His Kiss radio show is quickly coming up on its second year as one of the most successful dance music shows in all of England with internet broadcasts to all of the world. Digweed is both solid and durable with unyielding precision. He is centered to the principles of life, living and friends in such a way that he generates an aura of self-explanatory excitement and enthusiasm.
Without heroic pretensions his sets are filled with moodiness and musical mystery but held down with a punchy distinctiveness and earthly rhythm. Always emanating a sense of boundlessness he overlaps dream events that spill into reality with an enormous certainty. Groundbreaking and bursting with innovation, DJ and producer Jonathan Ulysses has a fascinating and diverse career that spans a year period. You can keep up to date with his plans on the flourishing site www. The sound was influenced by his tours of South America that will continue through with his 3rd year as a resident of the outstanding M.
B festival. After developing a more focused interest in house and techno, Joris invested in the versatile MC Groovebox and began to experiment with synth sounds and drumloops. Joris Voorn is a record producer and Dj from Rotterdam, Netherlands. Encompassing 3 years of ideas and inspiration, the cd contains 20 diverse tracks, a seamless soundscape that represents his arrival as one of the most relevant techno producers of this time. The mix contained over 40 tracks of timeless techno music mixed with the help of Ableton Live for its endless mixing and editing possibilities. During the same year Voorn created his second album, released worldwide in June Some of the works were edited to more dj friendly tracks for the vinyl release of the album.
During the summer of Joris has been touring with his new live performance in support of his album release. In , following the success of his resident advisor podcast, Joris was invited to produce episode 14 of the Balance DJ mix CD series from Australia. Following in the footsteps of James Holden and Lee Burridge, Joris constructed a layered and seamless mix of electronic dance music on a double CD.
An epic mix in the very best sense of the word, Balance achieves the rare feat of combining variety and consistency, making it perfect for trainspotters and dancers alike. The tracks change quickly and quietly, but the groove stays. An accompanying world tour will follow where Joris will bring the essence of this studio project to the stage, using all different elements of the mix into a full range club experience. Inspired by his surroundings, which is never limited to the dancefloor, Joris and his team will be creating a night in several festivals and clubs, exploring the possibilities of combining music and visual arts.
This year the project will be developed, tested and finetuned in selected clubs. With Rejected, Joris is working on a more club oriented contemporary sound instead of deep electronic music excursions. This year, the Rejected label has some great projects in the pipeline, to start off with a disco infected house track by the Dutch rising star Pitto. One of the most apt, certainly, would be longevity. Which brings us to our final term: integrity.
Some who hit big when Wink did are content to live off past successes; others chase trends in an effort to stay relevant. I never knew I could make a living from doing what I loved when I was a teenager; my parents thought it was a fad, actually. Joyce Mercedes is an international DJ of great stature and talent. She has traveled all around the globe and has displayed her immense passion for music in the largest and most popular clubs in the world.
During the last years, Joyce Mercedes performed in more than 55 different countries.
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This demonstrates both her international popularity, and her skill with adapting her live performance skills to a very diverse crowd. Joyce performed in a sparkling dance show in the most famous clubs in the world. Her passion for music lies as well in her dancing as in her singing. At this moment Joyce Mercedes has performed in more than 48 countries in almost every famous foreign club in Europe, North America, South-America as well as in the Far East. Her sound is best described as Tech house containing elements of techno, minimal, electro, funk, soul, Progressive all with an uplifting deep powerful drive.
She has now started with producing her own music. End she launched her own label QOC and released varies underground dance music on it. She is working with Axxell Brodie on her vocal album. Harry Lemon, Jerome isma-ae, Ahment Sendil just to name a few. Acclaimed producer and DJ Vito Lucente has been releasing records under many different names but his best known moniker is without a doubt Junior Jack.
It will hit the market in September and is promising to set another standard in the history of dance music. It was also the first time a Benelux based producer reached the top spot of the European dance charts. With this track he firmly established the distinctive sound of the irresistible pumping bassline that has become one of his trademark. His DJ schedule also remained very busy, playing regular slots at all the superclubs around the world including a residency at the Ministry Of Sound, teaming up with Kid Creme.
His signature continued to appear on many successful dancetracks. The single, which was released in March , kept the no. The track went on to sell a grand total of His ear to the street brought him to a rising star when he met the up-and-coming producer Armand Van Helden in By age 15, this prodigy was already DJing at some of the hottest underground clubs in NYC and perfecting his craft as a producer. Not to mention his own headphone line scheduled for launch in Junior Sanchez has undoubtedly carved a place for himself in this cutthroat industry, but expect bigger and better things from this creative juggernaut in the near future.
Here today, gone tomorrow. A phrase truly befitting the modern club scene.